Phases of Reflection II. Form, Material, Perception

This work is a rigorous exploration of materiality, technique, and the representation of human identity. This series features hand-blown glass face
sculptures, embodying the fragility and variability of human expression.
These sculptures, born from a single clay model and plaster mold, showcase the transformative potential of glassblowing, where minor alterations in
technique yield diverse outcomes. This echoes the inherent complexity and variability of human identity.
The physical sculptures are converted into photograms, camera-less images created through direct exposure of objects onto photosensitive paper. By
adjusting the F-stop on the enlarger, the series explores light, shadow, and form, underlining the fluctuating perceptions of self.
"Form, Material, Perception" prompts scholarly introspection on self-perception, transformation, and the balance between intention and outcome. It
highlights the beauty and complexity found within our shared yet individually experienced human condition.